For example, an intelligent manual colour correction routine brings expert and precise colour correction within the grasp of the novice. Though not totally unique, there are some features that make this package particularly useful. Other tools too tend to be less efficient in operation than the Photoshop equivalent but often this is a case of splitting hairs - and Photoshop's are excellent. They do, however, roll up when not in use. Both, by default, open when the program is started and neither are particularly discrete - they tend to consume a disproportionate amount of screen space. On the down side both the Tool and Options palettes are somewhat more cumbersome than those of Photoshop are. It's one of those interfaces that the experienced image-editors relish but that newcomers can find a little daunting. Unsurprisingly, then, the Paint Shop Pro interface is much like that of Photoshop, presenting all the tools and menu options you'd expect but in a somewhat clinical and workmanlike way. It mirrors much of that product's functionality and - lest you should consider it a copy of Photoshop, pre-empted Photoshop 6's vector based tools. Infact, Paint Shop Pro 7 stands very good comparison with Photoshop 6. And, unlike those earlier versions (which were made available as web downloads) it now comes complete with box and compendious manuals, much in the ilk of Photoshop. As time - and Version numbers - have moved on Paint Shop Pro has developed into a fully-fledged and fully specified image editor. Not so many years ago Paint Shop Pro was considered a 'meaty' alternative to Microsoft's Windows Paint graphics tool.
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